Chick Corea Transcription Pdf Merge
Music Scores From • • • • • • • • • • • From • • • • • • • • • • • From • • • • • • • • • • • • • From • • • • • • Transcriptions One of the things that has helped me become a better jazz musician has been transcribing dozens of solos from some of my favorite jazz artists. Some of these transcriptions include voicings for the left hand, while others use chord symbols instead. I hope you find these transcriptions beneficial to your playing and please support these artists through purchasing their recordings. -Danny Green • • • • • • • • • • • • • • • • • • • • • • • • • • • •. Codice Seriale Clone Dvd 2 on this page.
What comes to mind when you hear the word diminished? “Wait, is it whole-steps and half-stepsor the other way around?” If you’re like most players, the diminished sound often creates more questions than answers But it’s a sound that the greatest players – from John Coltrane to Michael Brecker and beyond – have used to add harmonic complexity and melodic interest to their solos. Sfcedit Keygen on this page. And it’s one that you can use in your solos as wellif you have the know-how.
Chick Corea Transcription Pdf To Word Bill Evans. Transcription by Carl Corcoran. Now He Sings,Now He Sobs. Lucas Pickford. Thelonious Monk Solo Transcriptions by M8R-pfoy89. Backup Exec 2010 R3 License Key Download. Keith Jarrett Jazz Piano Collection by Sara Farrell. Herbie Hancock - Excellent Performance Collection (Jap).pdf by Dr.Jellyfish. Herbie Hancock - Classic Jazz Composition & Piano Solos by edsrhym. Chick Corea Collection by YoniMot. Jazz Improvisation 3Missing. Chick Corea is one of the most prolific and acclaimed of jazz artists from the second. 1941, Chick began studying piano. Tradition de la transcription.
You see, the premise of a diminished chord or pattern is simple, but when you start applying this sound to your solos, the details can get complex very quickly. And this is exactly what we’re going to look at today Stacking minor thirds Before we start digging in to these diminished patterns, you need to start with an understanding the structure of the diminished chord. And luckily it’s pretty straightforward, a fully diminished chord is simply a stack of minor 3rds Because the construction of these chords is symmetrical, there are only 3 diminished options: a stack of minor 3rds from C, from C#, and from D.
That’s it – the pattern just repeats itself. The most common way you’ll use this sound in your solos is over dominant chords.
Applying this diminished structure over a V7 sound is an easy way to access the altered notes of a dominant chord in a logical way. And again, since the construction of the structure is symmetrical you can apply this sound to any dominant chord built from the related chord tones: (C7, Eb7, F#7, A7) Whichever V7 chord you choose to apply it to, you’ll always highlight the root, #9, #11, and 13 of that dominant chord. For example, if you play that F# fully diminished over a C7 you’ll get the #11, 13, root and #9. Start by being able to from any starting note, (remember there are only 3 options).
Keep in mind that every example that we’ll show below is built off of this basic structure But waitwhy not just think of a diminished scale?? Because a scale is just one option for accessing a diminished sound in your solos. And thinking of only one scale can put you in a box. However, by thinking of the diminished chord structure as a whole, you open up many other possibilities ( that can include scales and much more). And this will become apparent when you study at the examples below We’ve searched through scores of famous solos – from Coltrane to Brecker, Herbie Hancock and beyond – to find useful examples of the diminished sound that you can use in your own solos. Let’s take a look at the 10 diminished patterns that will transform your solos I.
John Coltrane and the diminished pattern John Coltrane is known for his in-depth study of scales and musical relationships. From Giant Steps to his late quartet, he was constantly searching for new ways to navigate the familiar harmonies and progressions of the jazz repertoire. And one of these avenues was the minor third relationship of the diminished sound Probably the most well known diminished pattern comes from his solo on. Over a Bb pedal he plays the following line: Two months after recording the Blue Train session, Coltrane recorded a live perfomance at Carnegie Hall with Thelonious Monk. In his solo over the tune you can hear the same diminished pattern in action: At 1:46 in the video above he plays the following line: In both solos, Coltrane is using the same diminished concept and this is the first diminished pattern for you to know: Here he plays a whole-step below each diminished chord tone and alternates direction. Take away the whole-steps and you’re left with the skeleton of the diminished chord tones: Here’s what you should practice • Start by learning the pattern on one diminished structure (ex.